The Edge looks at life lived a few centimeters from water and a few seconds from losing balance. In black-and-white street studies, cyclists lean into wind, strangers perch on canal ledges, bridges slice the frame, and reflections flip the world. The city’s hard lines become a tightrope for the nervous system—the place where calm and panic meet. Anxiety hums beneath the choreography of everyday motion, yet each picture holds that thin grace of balance: presence, barely, carried forward.
